"This is it, Rael" at 1:21 is louder and clearer in the remix.The guitars are mixed center instead of left and right in the remix. CD master which has this problem.See the comments for the prior track on the botched crossfade in the remix. 5. The Lamb Lies Down on Broadway The piano at the very start fades in on the original mix, but starts out audible in the remix. The remix fades faster at the end, and the crossfade to Fly on a Windshield is actually basically missing- the title track fades out to silence, there are about three seconds of silence, then the guitar and Mellotron of Fly on a Windshield start, and about three seconds of the fadeout of The Lamb are audible under them before fading out (again).
The guitar from 1:39 to the end is louder and more centered in the remix.There's very noticeable tape noise on the lead vocal in the remix.
Otherwise, the mix is basically similar.0:00-1:34: The remix has a shaker which is mixed out of the original mix entirely. Enter your email below to be the first to hear about new releases, upcoming events, and more from Rhino.You can also follow the Album of the Day - a classic album presented in its entirety. The Lamb Lies Down On Broadway (2007 Stereo Mix) 4.51. Listen to your favorite songs from The Lamb Lies Down On Broadway (2007 Stereo Mix) by Genesis Now.
that’s my opinion on all of the albums, actually, but that’s just me./r/Genesis is a subreddit dedicated to the band Genesis and the solo works of its former members.Press J to jump to the feed. 3. However, the PC remix does EDIT: 6/11/2020: The crossfade seems to be fine on the SACD master (which was only released in Europe and Japan as part of the box set). The Chamber Of 32 Doors (2007 Stereo Mix) 5.40. At around 7:21-7:24, the remix fades into the ending segment about half a second earlier than the original.
The Lamb Lies Down On Broadway, an album by Genesis on Spotify. The backing vocals are brought up a good ways at 0:42-0:45. in the fade of the song is louder in the remix, and cuts out noticeably instead of being rapidly faded (2:42). Thus, from Selling England on, there's less room for the remixes to improve on the originals- they manage at best to be sometimes-interesting alternate versions of the albums, rather than (at least potentially) being unilateral improvements.The Lamb is the most problematic remix I've done so far, and will probably retain that title. The original mix continues a little bit past where the remix ends- both of them fade to near-inaudibility and then there's an edit into the beginning of Anyway, but neither mix has a gap of actual silence; the original mix thus has about five more seconds of near-inaudible vamping before the edit.In the original mix, the shaker enters the mix at 1:17; the remix has the shaker mixed up much earlier, at 0:26. 11. No!") It just seems to be the standard (American?) 5:15 0:30. 3:30-3:50: the "Off we go" lead vocal part is, again, processed differently, and less wobbly-sounding in the remix. The guitar overdub from about 0:43-1:10 is mixed right in the remix, instead of center. I wondered, while writing this up, if this single-track remix (which naturally has a clean fade at the end, instead of a crossfade) accidentally got used for the album release, instead of a correct mix with the crossfade.
Maybe he had difficulty recreating this very peculiar sound? Fly On A Windshield (2007 Stereo Mix) 2.44. )No major differences apart from the different crossfade edit noted above.At 3:06-3:07, the "Here I go!" Lilywhite Lilith - 2007 Stereo Mix. The remix fades out a bit earlier than the original mix, which thus has about four more seconds of (functionally inaudible) audio.The intro segment (0:00-1:48) is much louder (both absolutely, and relative to the body of the track) in the remix. Overall, there are remarkably few mix differences in this song- Eno's effects seem to have been applied to the multitrack master directly instead of during mixing, and the overdubbed percussion seems to have been already recorded in stereo, so there aren't really any differences in vocal treatments or stereo panning.At 2:51-3:07, and again at 4:50-5:06, the lead vocal is processed differently in the remix, sounding less wobbly than the original. 13. See the former posts on If I can editorialize a little bit here- On the first few proper Genesis albums (Trespass, Nursery Cryme, Foxtrot to an extent) the band were still finding their feet in the studio. The remix has about a second and a half less silence at the end of the track, before The Grand Parade starts (normally I wouldn't note track timing differences like this, but since The Lamb is a concept album with a lot of transitions and crossfades, I think this is notable).The organ (Mellotron?) The original mix fades to silence, while the remix fades a tiny bit slower, and never quite reaches silence before editing to the next track; so there are about three more seconds of basically-inaudible audio at the tail end of the remix. I checked against the Platinum Collection remix, and: it seems like it might in fact be the same remix- the PC remix is also missing the "To the coat of white" doubling vocal, for example.
None of these three places are huge, album-ruining things, really, but they give one the impression that this remix was rushed, or careless, or just done with a lack of attention to detail, in a way none of the prior remixes have felt.As a blanket note on this album's remixes: the stereo image of the remixes is noticeably narrower than that of the original mixes, to a greater extent than any of the prior albums I've covered.The piano at the very start fades in on the original mix, but starts out audible in the remix.
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